Train Dreams Fiction Book Club

In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighborhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows. Chicken Hill was where Moshe and Chona Ludlow lived when Moshe integrated his theater and where Chona ran the Heaven & Earth Grocery Store. When the state came looking for a deaf boy to institutionalize him, it was Chona and Nate Timblin, the Black janitor at Moshe's theater and the unofficial leader of the Black community on Chicken Hill, who worked together to keep the boy safe. As these characters' stories overlap and deepen, it becomes clear how much the people who live on the margins of white, Christian America struggle and what they must do to survive. When the truth is finally revealed about what happened on Chicken Hill and the part the town's white establishment played in it, McBride shows us that even in dark times, it is love and community--heaven and earth--that sustain us.

In Saigon in 1963, two young American wives form a wary alliance. Tricia is a starry-eyed newlywed, married to a rising oil engineer "on loan" to US Navy Intelligence. Charlene is a practiced corporate spouse and mother of three, a talented hostess and determined altruist, on a mission to relieve the "wretchedness" she sees all around her. When Tricia miscarries, Charlene sweeps her into a cabal of well-dressed do-gooder American wives. Armed with baskets filled with candy and toys, they descend on hospitals, orphanages, and a leper colony on the coast, determined to relieve suffering, no matter the cost. Sixty years later, Charlene's daughter reaches out to Tricia, now widowed and living in Washington. As the two relive their shared experience in Saigon, they are forced to come to terms with the ways their own lives have been shaped and stunted by Charlene's pursuit of "inconsequential good."

From the New York Times-bestselling author of Cutting for Stone comes a stunning and magisterial epic of love, faith, and medicine, set in Kerala, South India, following three generations of a family seeking the answers to a strange secret. Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India's Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning-and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala's long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time. From this unforgettable new beginning, the young girl--and future matriarch, known as Big Ammachi --will witness unthinkable changes over the span of her extraordinary life, full of joy and triumph as well as hardship and loss, her faith and love the only constants. A shimmering evocation of a bygone India and of the passage of time itself, The Covenant of Water is a hymn to progress in medicine and to human understanding, and a humbling testament to the difficulties undergone by past generations for the sake of those alive today. Imbued with humor, deep emotion, and the essence of life, it is one of the most masterful literary novels published in recent years.

From New York Times bestselling author Holly Goldberg Sloan, a hilarious and heartfelt novel for fans of Maria Semple and Emma Straub about a family trying to restore a ramshackle beachside motel-and their own lives. What good was thinking the future only held cloudy skies? Wasn't the reality that pieces of blue were always there, waiting to break through? When Paul Hill drowns in a surfing accident, he leaves his wife, Lindsey, and their three children with broken hearts and a mountain of debt. Once Paul's life insurance finally comes through, Lindsey impulsively uses the money to buy a charmingly ramshackle motel in Hawai'i, hoping for a fresh start. Teenage Olivia quickly develops a crush on a handsome but monosyllabic skateboarder. Twelve-year-old Carlos reinvents himself as a popular kid named Carl. And Sena, the youngest, will do whatever it takes to protect her beloved motel chickens. But while the kids adjust, Lindsey is flailing, trying to pretend she knows how to bring a motel-and herself-back to life. Then a handsome stranger rolls into the motel parking lot, and she's surprised to feel a long-dormant part of herself stirring. She accepts his offer to help, unaware that he may have secrets of his own. And all the while, out in the Pacific, the trade winds are fiercely blowing. Funny and tender, full of twists and turns and heart, Pieces of Blue is a portrait of an irresistible family learning to start over.

A former interpreter in Iraq who lost his wife and child in an assassination attempt discovers a dead body on the beach in Virginia and believes it is connected to his past.

One early morning on a Norfolk beach in Virginia, a dead body is discovered by a man taking his daily swim--Arman Bajalan, formerly an interpreter in Iraq. After narrowly surviving an assassination attempt that killed his wife and child, Arman has been given lonely sanctuary in the US as a maintenance worker at the Sea Breeze Motel. Now, convinced that the body is connected to his past, he knows he is still not safe. Seasoned detective Catherine Wheel and her newly minted partner have little to go on beyond a bus ticket in the dead man's pocket. It leads them to Sally Ewell, a local journalist as grief-stricken as Arman is by the Iraq War, who is investigating a corporation on the cusp of landing a multi-billion-dollar government defense contract. As victims mount around Arman, taking the team down wrong turns and towards startling evidence, they find themselves in a race, committed to unraveling the truth and keeping Arman alive--even if it costs them absolutely everything.

A luminous meditation on sons and fathers, ghosts of war, and living history that moves between modern-day Afghanistan and the Afghan diaspora. In playing "Metal Gear Solid V," a young man's video game experience turns into a surreal exploration on his own father's memories of war and occupation. A college student in "Hungry Ricky Daddy" starves himself in protest of Israeli violence against Palestine. Set in Kabul, "Return to Sender" follows a doctor couple who must deal with the harsh realities of their decision to stay as the violence grows and their son disappears. And in the title story, "The Haunting of Hajji Hotak," we learn the story of a man codenamed Hajji, from the perspective of a government surveillance worker, who becomes entrenched in the immigrant family's life.

Available in English for the first time, the latest astonishing, bestselling, and award-winning book by Annie Ernaux. The Years is a personal narrative of the period 1941 to 2006 told through the lens of memory, impressions past and present -- even projections into the future -- photos, books, songs, radio, television and decades of advertising, headlines, contrasted with intimate conflicts and writing notes from six decades of diaries. Local dialect, words of the times, slogans, brands and names for the ever-proliferating objects, are given voice here. The voice we recognize as the author's continually dissolves and re-emerges. Ernaux makes the passage of time palpable. Time itself, inexorable, narrates its own course, consigning all other narrators to anonymity. A new kind of autobiography emerges, at once subjective and impersonal, private and collective. On its 2008 publication in France, The Years came as a surprise. Though Ernaux had for years been hailed as a beloved, bestselling and award-winning author, The Years was in many ways a departure: both an intimate memoir "written" by entire generations, and a story of generations telling a very personal story. Like the generation before hers, the narrator eschews the "I" for the "we" (or "they", or "one") as if collective life were inextricably intertwined with a private life that in her parents' generation ceased to exist. She writes of her parents' generation (and could be writing of her own book) : "From a common fund of hunger and fear, everything was told in the "we" and impersonal pronouns."

A deliciously funny, sharply observed novel of family, wealth, love and tennis, this zeitgeisty debut follows three women in an old Brooklyn Heights clan: one who was born with money, one who married into it, and one, the millennial conscience of the family, who wants to give it all away. Darley, the eldest daughter in the Stockton family, has never worried about money. The product of generational wealth and capitalist success, Darley renounced her inheritance when she married Malcolm, a first generation Korean American with a lucrative job in banking. Sasha, Darley's new sister-in-law, has come from more humble origins, and her hesitancy about signing a pre-nup has everyone worried about her intentions. Georgiana, newly graduated from Brown and proud to think of herself as a "do-gooder," has enough money from her trust that she's able to work for a pittance at a not-for-profit, where she has started a secret love affair with a senior colleague. But when a scandal derails Malcolm's career, leaving Darley financially in the lurch, when Sasha glimpses the less-than-attractive attributes beneath the Stockton brood's carefully-guarded façade, and when Georgiana discovers her boyfriend is married and still in love with his wife, they must all come to terms with what money can't buy--the bonds of love that can make and unmake a family. Rife with the indulgent pleasures of affluent WASPS in New York and full of recognizable if fallible characters (and a couple of appalling ones!), it's about the peculiar unknowability of someone else's family, about the haves and have-nots and the nuances in between, and the insanity of first love--Pineapple Street is a scintillating, wryly comic novel of race, class, wealth and privilege in an age that disdains all of it.

The teenage son of an Appalachian single mother who dies when he is eleven uses his good looks, wit, and instincts to survive foster care, child labor, addiction, disastrous loves, and crushing losses.

Set in the mountains of southern Appalachia, this is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father's good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. In a plot that never pauses for breath, relayed in his own unsparing voice, he braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses. Through all of it, he reckons with his own invisibility in a popular culture where even the superheroes have abandoned rural people in favor of cities. Many generations ago, Charles Dickens wrote David Copperfield from his experience as a survivor of institutional poverty and its damages to children in his society. Those problems have yet to be solved in ours. Dickens is not a prerequisite for readers of this novel, but he provided its inspiration. In transposing a Victorian epic novel to the contemporary American South, Barbara Kingsolver enlists Dickens' anger and compassion, and above all, his faith in the transformative powers of a good story. Demon Copperhead speaks for a new generation of lost boys, and all those born into beautiful, cursed places they can't imagine leaving behind.

A modern saga that could only have come from South Africa, written in gorgeous prose by the Booker Prize-shortlisted author Damon Galgut. Haunted by an unmet promise, the Swart family loses touch after the death of their matriarch. Adrift, the lives of the three siblings move separately through the uncharted waters of South Africa; Anton, the golden boy who bitterly resents his life's unfulfilled promises; Astrid, whose beauty is her power; and the youngest, Amor, whose life is shaped by a nebulous feeling of guilt. Reunited by four funerals over three decades, the dwindling family reflects the atmosphere of its country - an atmosphere of resentment, renewal, and - ultimately - hope. The Promise is an epic drama that unfurls against the unrelenting march of national history, sure to please current fans and attract many new ones.